Get Out Of Control Tour
update - 7 April 2020
updated August 2022 added Belfast T article
No known audio or video
If you know of any recording, please email blackmarketclash
Hastily arranged special xmas date
Hastily arranged special xmas date to compensate for the cancellation on the 20 October, the opening night of the tour.
first night cancelled due to transport problems
(Dec 19th??)
The story goes that 2 shows were to be done on the one night to make up for the cancelled Ulster Hall fiasco back in October. Only one show went ahead. the venue was changed on campus. Support The Lous. (Dec 20th??)
The Clash were supposed to play two gigs that day/night.
John McGerr&
How odd! I just googled The Lous for the first time ever and found this site! I saw them supporting The Clash at Queen s University Student Union Belfast, late 77 I think.
They were an all female French punk band??? The Clash were supposed to play two gigs that day/night. I had a ticket for the earlier show, which didnt materalise. I hung around with my two friends but we didnt get to see The Clash because we lived in a small town outside Belfast and had to leave to get the last bus home at 10pm.
Cant remember much about the Lous, my only real memory of the gig was that I saw Mick Jones leaning against a wall watching their set and I asked him what time The Clash were coming on as we had to get home. He was quite stand-off-ish I remember, and wearing a pair of pink baggies. I was 13 years old FFS! Did get to see The Clash in Belfast in 1978 though at the Ulster Hall.
McMordie Hall, Queens Hall, Belfast
The Queens Hall in Belfast is part of the Queen's University Belfast campus. The university's historic buildings, including the Queens Hall, are known for their architectural significance. The Queens Hall is likely part of the Lanyon Building, the original building of Queen's University, completed in 1849 and named after its architect, Sir Charles Lanyon 1 9 .
The Queen's University Student's Union building in Belfast, which was built in 1967, was a significant part of the university's history and student life. It featured a 2,000 capacity concert hall, McMordie Hall with a canteen, and three bars 2.Â
McMordie Hall, has a rich history. More than fifty years ago, when the building was occupied by the Student Union serving as their debating chamber 1. It was later transformed into an entertainment venue and hosted some of the world's top local and international acts 2. The hall was known as the McMordie Hall until 1986, when it was renamed Mandela Hall 2, 7. The building was a cornerstone of the Belfast music scene, hosting gigs by bands including U2, Radiohead, and Ed Sheeran 2. The building was also home to the Mandela Hall, a live music venue that saw U2 play there twice in the band's early days 1.
However, the Student Union building, including the McMordie Hall, was closed in July 2018 to make way for a new state-of-the-art building 1. 2, 8. However, the Student's Union building was closed in 2018  The old building was demolished in 2020 to make way for a new "world-class" Student Centre 7. The new building is expected to provide a central location for all non-faculty services on campus, including the SU, student guidance, informal learning zones, club rooms, supporting offices, multi-purpose hall, SU Bar, catering, and retail outlets 7 2.Â
The Night Punk Rock finaly came to town
Belfast Telegraph -
Wednesday 21 December 1977
Belfast Burning Fanzine.
Poor, unreadabe quality.
Better scans required
4 pages
NME - BELFAST CHRISTMAS DATES
JANUARY 1978 EDITION
"HIYA!" SHOUTED JOE STRUMMER, punching savagely a big Christmas balloon decoration hanging from the ceiling above his head. A sweating hall full of Ulster's punk population leapt in the air with a great roar. The Clash had come back to Belfast.
The roar continued more or less unabated throughout the hour-long set, which also saw a lot of frenzied gobbing. At one point Mick Jones had to stop playing to unclog his strings.
There were two Saturday shows originally scheduled for Queen's University Student's Union - which had tried to stage the band's aborted Ulster Hall gig in October, but which was also stymied on that occasion by insurance problems (see Thrills 29.10.77). This time around, only one Clash performance actually got off the ground, the first one falling down over a travel hold-up after The Clash apparently missed their plane.
About 650 punks bought tickets for Saturdays show. Each ticket was accompanied by a personal note from student organiser Eamonn McCann, appealing for cool on the part of the audience, "so that other punk concerts might be possible in the New Year."
The entrance hall to the union looked almost like a pet shop as the show got underway. Tables groaned under assorted belts, buckles, leads, studded collars and safety pins, all taken off fans as they came in and each carefully labelled with the owner's name.
The Clash lashed into their programme at sub-sonic speed, throwing almost unnoticed Northern Ireland asides into familiar songs (`Police And Thieves" became "Police And Priests"), and pausing only to wipe down between numbers.
The set finished on "Garageland", which seemed to catch the crowd by surprise. It took them a full 30 seconds to realise that the show was indeed over, and the mighty roar then started up again with a vengeance.
The band came back onstage almost immediately with "London's Burning", only it was now called "Belfast's Burning". The audience went ape. By the final encore `number, "White Riot", the bouncers were no longer able to hold the front-line control, and several people broke through onto the stage to share vocals with Strummer. He passed the mike to one to finish the song for him.
The band left the stage as chaos became general.
When they got outside the fans were in for a shock. In the normally middle-class Elmwood Avenue four or five armoured Land Rovers were pulled up, ringed with police carrying rifles.
The crowd, which had shown no hint of aggro throughout the evening, stood about in groups, looking bemused. The police, several with rifles held on the hip, moved amongst them, presumably looking for the expected violence. None came.
Suddenly a ligger at the back of the crowd, jumping piggyback on his mate's shoulders, became the target for action, and a handful of cops rushed in to collar him He was hustled off into one of the waiting Land Rovers.
As the punks moved off down University Road the Land Rovers kerb-crawIed beside them, occasionally stopping for armed constables to lump out and stand guard at street corners. If it was provocation, as some of the fans muttered, it didn't work. Most of the crowd seemed to be in 2 hurry to get to a party somewhere.
The success of the Clash concert means that Queens will now be able to go ahead with their projected New Year programme. First confirmed date is January 26 for Buzzcocks.
COLIN McCLELLAND
THRILLS
See also The Clash
- Visual Documentary pg30 para.1
See also Riot of Our Own pg20
The Clash - Belfast 1978
References this (1977) gig.
THE CLASH - BELFAST
THE LAST time The Clash tried to play The Ulster Hall a combination of big business insurance moguls and local bureaucratic bullshit caused the gig to be cancelled at the 11th hour. And the punters' vigorous protest resulted in brutal law enforcement which left the crowd and the band sad, confused and helpless.
The bitter taste of that night was mostly eradicated by a hastily arranged Christmas gig at the city's university where despite turning in a below par performance, The Clash were the most potent rock `n roll fireball ever to blaze across a Belfast stage.
But tonight we get a TOTAL victory. After the tired sicko-subterranean toilette punque fetishes of the admittedly well-received Outcasts, the band launch into a set that harnesses their essential roots energy the fireball still burns - with an uplifting musical call to arms.
The full potential of " Rockers' , "Control' ` et al is realised with a greater emphasis on melody courtesy of Jonesy's fluid lead guitar breaks, some coolly paced drum figures from Headon, and the development of the band's corporate ability to seduce your emotional and physical core into a sensurround pot pourri.
Visually it's Jones who's the most immediately striking as the rock `n' roll outlaw in cowboy leathers and newly shorn locks that shake off the "Poodle' tag. The rest of the band come over with forceful cohesion while extending warmth and good feeling that no other band attains.
"Tommy Gun"is the obvious choice for the new single with its sharp shooting, rifle repeating rhythms - Jones and Simonon stand astride the drum platform while Nicky batters out the military riff from the rear, and upfront Strummer rages.
As it's hard to discern the titles, the new songs (possibly "lf You've Got The Fire", "Press Gang"and "On The Roof") are just sounds to these ears. But those sounds sure are hot.
Perhaps the most memorable was a sublime " I Fought The Law"with the call and response vocals of Jones and Strummer working to awesome effect.
The chestnuts from the early days have the dam busting attack of a controlled musical armageddon. You can listen to them play "Garage Land" without cringing because their performance still encompasses the brazen spirit of a "garage band". "Capital Radio's" culminating instrumental cavalcade is matched by the blue in the face fury and disgust of the now guitarless Strummer - it's little short of amazing.
The set is jam packed with golden moments bristling with imaginative ideas, best exemplified by the superbly sly and skilful merging of "Police And Thieves" into "Blitzkreig Bop" where they merge the guitar lick and pacing of the former with the rhythm of the latter to produce some idea of where the Bowery Boys might be if they ever discovered maturity.
Further high points were the ineffable "White Man" a spontaneous ` `Complete Control" and the dynamic catapulting of "White Riot'; an encore fit to send you home reeling with the ecstatic realisation that you've just seen the best band in the world.
Gavin Martin
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Set list gathered from reviews
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