The Clash play two sets, 9.30pm 00:30
Rob Harper on drums
Updated October 2020 - added Ray Stevenson photo
updated May 2021 added advert
updaetd August 2022 added MoreOn fanzine
updated Dec 2023 - new footage on Youtube
No known audio
No known full audio source If you have a three track copy it is probably mislabeled. It is most likey from the Punk Rock Movie (Don Letts), see below.
The Punk Rock Movie
1. White Riot from the 11 Mar 77 Harlesden Roxy;
2. 1977 from the 9 May 77 Rainbow;
3. Garageland from May 77 somewhere on the White Riot Tour
Video documentary
Footage broadcast on the BBC, January 2015 The BBC broadcast a documentary from the Roxy using footage provided by Julian Temple. However the footage is all chopped up into snippets.
New Year's Day '77.
Broadcast 01 January 2015, BBC Four.
Built around the earliest, until now unseen, footage of the Clash in concert, filmed by Julien Temple as they opened the infamous Roxy club in a dilapidated Covent Garden on January 1st 1977, this show takes us on a time-travelling trip back to that strange planet that was Great Britain in the late 1970s and the moment when punk emerged into the mainstream consciousness. BFI archive: N-457329
Links to BBC Documentary
1. NME: Unseen footage of The Clash's 1977 New Year's concert at the Roxy surfaces
2. Dangerous Minds: Previously unseen footage of The Clash on New Years Day 1977 - or archived PDF
Also see article below
Open video in full in new window
Time 1hr15mins / 480p
1976/77 Julian Temple's early footage 18hrs
Known to contain several concerts including The Roxy 1 Jan 1977 and Harlesden plus Rehearsals footageJulian Temples 1976 footage 18 hours - included Roxy/Anarchy Tour/Harlesden/Rainbow - only the footage that was used in the film eventually got digitised because it was shot on an obscure format that does exist anymore and so it cost a fortune to put onto tape.
Clips of Julien Temple's footage opening the infamous Roxy club on BBC4 doc
New Video
New footage (2022) of The Clash in 1976/1977 has been uploaded to YouTube very recently. It's likely to be some of the Julian Temple footage.
It includes Hate and War from the soundcheck and White Riot plus inteview pieces.
Gig and audience
30 secs only
Interview about fashion
30 secs only
Interview on record deals
30 secs only
Rehearsing, (soundcheck?) Hate & War
30 secs only
The first night of the famous London punk club
The Roxy and the first Clash gig since the Anarchy Tour.
It was also Rob Harper's last gig as drummer. Joe used a large Gretsch-style guitar and had 1977 daubed on the front of his shirt (see pic).
The Roxy was packed to capacity with 400 witnessing two frantic sets at 9-30 and 12-30.
John Lunn - The official opening night of the roxy club in neal street covent gardens the support band was chelsea the roxy was called shagaramas before the roxy it was a gay club -
POSTER
A short history of the Roxy Club
What was needed, as the fanzine Sniffin Glue pointed out, was a place Punk could call its own. Where like people could gather to watch music they liked and where bands could get a chance to play without being subjected to the traditional gig circuit.
And so Barry Jones who lived with Matt Dangerfield, later of the Boys, in Warrington Crescent and in whose studio the Damned recorded their first demos met up with Andy Czezowski one time manager of the Damned and now manager of Chelsea to pawn his guitar to enable the hiring of a gay club called Chaguaramas now in decline. A club found by Chelsea's singer Gene October as a place for his band to rehearse and play some gigs.
Remembering 100 nights of Punk at London's Roxy nightclub
When punk kicked off in the late Seventies, almost every venue in the UK banned the sound from the stage.
So when lifelong partners Andrew Czezowski and Susan Carrington wanted a venue to promote the punk band they managed, Generation-X, they had to actually own one.
They took over a seedy underground club in Soho called Chaguaramas from its owner, a one-handed gay barrister, and re-named it The Roxy.
Two weeks later, The Clash were booked for the club's launch, and everyone from Mark Bolan, "the godfather of punk", to Led Zeppelin flocked to the club.
Virtually every single act who played at The Roxy walked away with a record deal. And yet, despite such success, The Roxy was a short lived affair. More specifically: 100 nights.
Mick Jones from The Clash called this brief but glorious period: "The life span of punk."
After that, Andrew and Susan were booted out, and the spirit of punk moved on. Now, the couple have released the world's first duography, The Roxy Our Story: The Club That Forged Punk In 100 Nights Of Madness, Mayhem And Misfortune (Carrczez, £20
Filth, Fury and Fags
Julien Temple filmed the Breakout of British Punk
We talked to the great music documentarian about immortalising The Sex Pistols and The Clash on film.
BOOK: The Roxy : London, Covent Garden, 14 December 1976-23 April 1977
T
he club that forged punk in 100 nights of madness!, mayhem!, misfortune! : our story by Czezowski, Andrew
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Roxy Covent Garden Link to venue webpage The premises had formerly been used as a warehouse to serve the Covent Garden wholesale fruit and vegetable market. In 1970 they were converted to a late-night bar called the Chaguaramas Club. At that time it was owned by record producer Tony Ashfield, who had several hits with 1970s reggae star John Holt, with whom he formed a company called Chaguaramas Recording Productions, probably after Chaguaramas Bay in Trinidad. The Roxy was started by Andrew Czezowski, Susan Carrington and Barry Jones. The space was small, and spread out on two levels, which contained little more than a bar and a dance floor. In December 1976, Czezowski organised three gigs at the Roxy.[3] They financed the venture with borrowed money (Jones, a musician, pawned his guitar to stock the bars, and hire sound equipment, etc.). The first show, on 14 December, was Generation X, a band Czezowski managed. The second on the following night was the Heartbreakers. The third, on 21 December, featured Siouxsie and the Banshees and Generation X. However, it was the Clash and the Heartbreakers that headlined the official gala opening on 1 January 1977 which was filmed by Julien Temple and finally screened on BBC Four on 1 January 2015 as The Clash: New Year's Day '77. The only thing that could count as a "scene" is the Roxy. And the Roxy is a dormitory. The last time I went I was feeling really uppity. I stood in the middle and looked around and all these people were slumped around dozing! I threw tomato sauce on the mirror and stormed out. And I haven't been back there. I don't think I will go back there. The sooner it closes the better. —Joe Strummer[6] Don Letts was the resident DJ at the club and he was instrumental in encouraging punk rockers to embrace reggae.[citation needed]
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"The New Year was heralded, not by the Sex Pistols, but by the Clash's performance at a new club in Covent Garden, the Roxy"
Book: England's Dreaming / By Jon Savage / Link / Page 291
The New Year was heralded, not by the Sex Pistols, but by the Clash's performance at a new club in Covent Garden, the Roxy.
The Clash embodied this polarized New Year, in which, as Culture sang, ‘the two sevens clash'.
They were the true victors of the Anarchy Tour: benefiting from the publicity but not embroiled in controversy, they were the group to watch.
To celebrate, Strummer specially customized a white shirt with a massive ‘1977' on the front.
Do you know anything about this gig?
Did you go?
All help appreciated. Info, articles, reviews, comments or photos welcome.
Please email blackmarketclash
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On New Year's Day, The Clash play the opening night of London's The Roxy
1. All FB posts on Clash Official
2. All FB posts
On this night in 1977, The Clash performed at The Roxy Club in London Town
New Year's Day, The Clash play open London's new punk venue The Roxy
VIDEO: On New Year's Day 1977, THE CLASH played the ROXY club in London's Covent Garden
Link - see also Link for more comments
More-On fanzine, issue #3 (1977)
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Short interview. Mentions Roxy
and drummers and CBS
48 Thrills No.2
Snapshot Opening Night of The Roxy Club
Guardian 7 July 2006
by Punk photographer Erica Echenberg
WHEN THE CLASH OPENED THE ROXY ON NEW YEAR'S DAY
Diffuser Magazine
VINCENT CARUSO | December 31, 2016
Book: The Roxy WC2 - A Punk History
Paul Marko
In the end though it would not be the Pistols who played but their nearest rivals to the Punk crown, the rapidly improving Clash who had accompanied them on the ill fated Anarchy Tour. Andy did a deal with Bernie Rhodes, the Clash's manager.
Andy Czezowski (Roxy Club Partner) Bernie Rhodes and the Clash had come down to see Generation X and the Heartbreakers. I had met Bernie several times before and I said ‘how about playing?' and they thought great! great! great! and we booked them in for January Ist 1977 which was a Saturday night.
The deal would suit both parties. For the Roxy it needed an act that would guarantee a crowd. For the Clash, like the Heartbreakers who played the Roxy to get some money, there must have been an element of desperation. Unlike the Sex Pistols, they had no record company funding and in effect no publicity as the Anarchy Tour was the Pistol's show. They were just the support to the Sex Pistols and were frustrated at the reaction to Punk Rock that caused the cancellation of nearly all the gigs on tour. Strummer confided to Caroline Coon the following April that at the time he was broke, hungry and depressed.
Joe Strummer (the Clash) When I got back to London on Christmas Eve I felt awful. I was really destroyed, because after a few days you get used to eating. We were eating Holiday Inn rubbish, but it was two meals a day. And when we got off the coach we had no money and it was just as awful. I felt twice as hungry as I'd felt before. The poster for the gig was designed by Sebastian Conran" and advertised the Clash playing two sets. Caroline Coon, Meoldy Maker 23.4.77
The poster depicted them as a three piece missing out Rob Harper who had le a drummed on the ill-fated Anarchy tour. The poster also detailed Chelsea getting a belated debut at the Roxy as support for the Clash.
Barry Jones (Roxy Club Partner) don't remember the first Roxy posters I did. I know that the Clash did their own for that opening gig. But I do remember on the day before the New Years eve gig going round the West End at midnight plastering up those freaking flyers with Joe and Mick. We had a bagful and we were all over the town doing it.
The posters attracted the right crowd
Anon. A group of us from round here decided to go to this big do. It was the Clash who were playing, opening up the Roxy. Oh it was excellent. You just got in there and there were all these Punks and freaks. It was a whole new scene and yet you felt really part of it. You felt that you were part of something, you were something different. Peter Everett, You'll Never Be 16 Again, 1986
Taking the stage at 9.30 p.m. the Clash ripped through an energetic set with Strummer playing a semi acoustic Gretsch and a wearing a shirt with an appropniately giant ‘1977' daubed across the front. To the right, Paul Simonon stands having had his bass, complete with chord letters marked on the frets, tuned by guitarist Mick Jones.
The crowd reacted accordingly.
Andy Blade (Eater) All of a sudden the Roxy erupted into a frenzied blur of pogo dancing, coloured lights and noise. It felt like someone tossed a grenade into the room. Andy Blade, The Secret Life Of A Teenage Punk Rocker, 2005
Other clubgoers recall the crush
Debbie Davis (Roxygoer) It was packed down the front with heaving bodies and the heat was unbelievable. We were jumping up and down, a great big mass of people with sweat pouring off us and the music was relentless and bloody loud.
Meanwhile Andy Blade took advantage to engage in other more tried and tested rock 'n' roll pursuits.
Andy Blade (Eater) We made our way closer to the front, three giggling schoolgirls in carefully ripped uniforms recognized us from the latest edition of Jackie magazine...I charted to the prettiest one amongst them...She then steered and manoeuvred me out of the room and onto the fire escape stairs, sat me down and undid my belt. Oh well I'd seen the Clash before anyway. Andy Blade, The Secret Life Of A Teenage Punk Rocker, 2005
Meanwhile for Rob Harper of the Clash at the back on drums it was a painful experience.
I had to have bandages on my fingers,' recalls Rob. ‘I did myself in, and at the end I thought, "That's over thank God!" Afarcus Gray, The Clash: Return Of The Last Gang In Town, 2001
However Rob hadn't noticed the gig poster advertising a second set by the Clash and he had to do it all again! Scheduled to come on at 12.30 a.m. they appeared at midnight.
Marco Pirroni (the Models) I just remember them coming on onstage at the stroke of midnight and them playing ‘1977' which of course it was.
Shanne Bradley (Nipple Erectors) Yes the night was packed but the sound was bad. I'd seen them before this at the 100 Club etc but never a huge fan. I'd previously seen the 1001 ers (sic) in a pub with the Sex Pistols and Joe Strummer shakin' all over in a sweaty zoot suit grunting rock ‘n' roll. I just could not get this image out of my head ever! Sorry Joe RIP you were a great person!
The Clash ran though their second set in an equally spirited fashion and included a new song by Mick Jones called ‘Remote Control,' written about the troubled Anarchy Tour. The gig was reviewed in the fanzine 48 Thrills by Adrian Thrills.
Adrian Thrills (48 Thrills Fanzine) "You lot can't have made the fourth form at school', jeered Joe Strummer at the bunch of apathetic discos who just stood and stared at the Clash during their second set at the Roxy.
The Clash were great despite sound problems and the size of the Roxy (they were too powerful for it with their new PA). Over the last couple of months and with their travels on the world's most cancelled tour, they've been working hard on their set. There are changes and some great new songs, especially Hate & War and Remote Control. They've speeded up White Riot and it sounds even better.
Even on the small stage at the Roxy they moved like maniacs in both sets. Joe's got a flashy new big white guitar which looks great, tho' I stll prefer the tinnier sound that he got from the rusty old one he used to have.
The Pistols started the scene but right now the Clash are more important to it...the most committed group, the toughest, most frantic, most powerful...right. 48 Thrills #2, 1977
Si Haseldon was a punk fan aged 15 then who had travelled down to the Roxy club from Manchester to see the Clash. Previously, he had caught them at the Electric Circus and bought an impoverished Joe Strummer a drink.
Si Haseldon (Roxygoer) The Clash gig is still one of the best, most exciting pigs I've EVER been to. And, at the end of one of the Roxy Clash sets, Joe Strummer came back out, bent down to pick up his guitar, looked me square in the eye and said "Electric Circus two weeks ago - you bought me a drink - Cheers" and gave me his plectrum and a towel, much to the disgust of some halfwit stood next to me who tried to "liberate" them from me. My mate Barney gripped him round the neck and walked him outside shall we say!
The Clash gig at the Roxy was a sell out and the club's first week's rent was taken care of. Now they had to keep making money and keep the club going. The Roxy was on its way.
PREVIOUSLY UNSEEN FOOTAGE OF THE CLASH ON NEW YEAR'S DAY, 1977
Dangerous Minds
01.03.2015
On the liner notes of their first LP Two Sevens Clash, roots reggae band Culture claimed that Marcus Garvey had prophesied that the date July 7, 1977, "when the two sevens clash," would herald great conflagration. Whether Garvey said it or not (some hold that Culture just made the story up), it's safe to say that 1977 was a year of great chaos. As the Clash sang around that time, "Danger stranger / You better paint your face / No Elvis, Beatles, or the Rolling Stones / In 1977." The tumult of that year is amply demonstrated in 1977, a documentary by Julien Temple, director of The Great Rock'n'Roll Swindle and The Filth and the Fury, built around never-before-seen footage he shot of the Clash's early gig at the Roxy on January 1, 1977, a gig that more or less ushered in both the Roxy and the Clash as punk fixtures, although the band ended up lasting a lot longer than the venue.
Temple's documentary is a marvelous hodgepodge of footage covering U.K. anarchy in all its forms as the nation ushered in a tense new year. In the first few moments a fellow introduces a TV program in which every single member of the studio audience is named "Smith" by more or less declaring that the economic outlook in 1977 was likely to be lousy. Meanwhile, some other guy, on location at Stonehenge, welcomes in ‘77 by chugging some "champers." The found footage of random British TV, which has nothing to do with the Clash, the Roxy, or punk, is every bit as fantastic as anything else in the movie.
As January 1, 1977, neared, the newspapers were full of "shocking" stories about punk, particularly the newly famous Sex Pistols. The Pistols and the as-yet-little-known Clash as well as Johnny Thunders' Heartbreakers were in the midst of the Anarchy Tour, which was most notable for venues pulling out and cancelling gigs for fear of mayhem and adverse publicity. As Jon Savage wrote in England's Dreaming, The Clash "were the true victors of the Anarchy Tour: benefiting from the publicity but not embroiled in controversy, they were the group to watch. To celebrate, Strummer specially customized a white shirt with a massive ‘1977' on the front."
The Roxy had recently been a "cheesy" gay club, to use Temple's word, called Shaggarama. For the first three months of 1977, before the punk crowd moved on, the list of musical performers who played the Roxy is a veritable Who's Who of Punk: The Buzzcocks, the Damned, Siouxsie & The Banshees, the Jam, the Stranglers, Sham 69, the Only Ones, Wire, the Adverts, X-Ray Spex, the Slits, XTC, and many more; even the Police played there. As Temple says, "With hindsight, the Roxy has taken on the aura of being vital to the early days of Punk, which may be an exaggeration. ... in fact the Punk crowd soon lost interest in it and moved on. The Roxy got worse and worse and lasted about 100 days."
The Clash, having successfully introduced themselves in the Anarchy Tour, understood that they were on the precipice of something big. Their regular drummer, Terry Chimes (Strummer nicknamed him "Tory Crimes") had gotten tired of the heavy-handed management style of Bernard Rhodes and opted out of the show. The Clash auditioned roughly 20 drummers in Camden Town, finally settling on Rob Harper, who was reportedly "scarred for life by the experience." At the Roxy gig, they sang a new song, "I'm So Bored with the USA," which wouldn't see a studio recording until March.
As you watch the documentary, it becomes clear that Temple's footage of that important New Year's Day gig doesn't really stand up on its own—you can find better Clash footage out there—which partially explains the strategy of buttressing it with huge chunks of highly resonant footage of U.K. during 1977. You see the Clash prepping for the show, you see lots of Malcolm McLaren and Johnny Rotten; Margaret Thatcher gets in there as well, of course. You see riots and reggae and regular Britons being staunch. It's a great strategy, and the result is a terrifically diverting 75 minutes of punked-out bliss.
Be sure to watch it soon—this premiered on BBC Four just two days ago, and now it's on YouTube—there's no telling how long it will stay there.
Jonh Ingham's " Spirit of 76 London Punk Eyewitness "
Photos, The Roxy, 12 January 1977
Open photos in full in new window
Photo: Ray Stevenson
The Clash at the Roxy with Rob Harper on drums Published with permision, copyright Ann Summa www.annsumma.com www.annsummaphoto.com
Punk Rock: The Clash at the opening night of the Roxy Club , January 1 st , 1977. From John Ingham's " Spirit of 76 London Punk Eyewitness ".
Strummer with that historic Gretsch White Falcon
Ranking Fred - (Different clothes) They played two times on dis date, matinee & evenin' Ian. different drummer by show (The 1977 was the later gig?)
Michael J Phillips - Strummer with that historic Gretsch White Falcon - owned by Johnny Thunders, Steve Jones and Phil Lynott (think it went from Thunders to Strummer, then to Jonesy and eventually Lynott) - some history
Michael Dick - tuners on the bass aren't Fender
PUNK | 20 July - 26 August 2016 | Michael Hoppen Gallery
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Extensive archive of articles, magazines and other from the Roxy gig and the pre-White Riot period
Archive - Topper joins - Snippets - UK articles / magazines - Fanzines - Audio / Video - 1977 General
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Video recording by Julian Temple in a private collection. Snippets used by the BBC in their 'chaotic' documentary.
If you know of any recording email blackmarketclash
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THE ROXY, HARLESDEN & FRENCH DATES ARTICLES, POSTERS, CLIPPINGS ... A collection of from early 1977 and the mini French Tour. Articles cover the period from January to May.
Extensive archive of articles, magazines and other from the Roxy gig and the pre-White Riot period
BOOKS
Roxy pg209
Roxy pg63
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