Out of Control Tour
The Clash go Back to Basics - European Tour

updated 2 Sept 2016 with better audio information

Audio 1 -
- Sound 3.5 - 1hr 17mins - unknown gen - 24 tracks
has Kosmo intro and gap with fans

Are You Ready for War?

Audio 2 -
- Sound 3.0 - 1hr 18mins - unknown gen - 24 tracks
same source as above just not quite as good?

Are You Ready for War?

Audio 3 -
- Sound 3.5 - 1hr 21mins - unknown gen - alternate source - 24 tracks
very thin but clearer with heavy bass EQ. Misses few seconds of Kosmo intro. At teh strat of London Calling someone nearer the taper shouts 'Paul' not on source 1/2.

Are You Ready for War?

Audio 4 -
- Sound 3.5 - 1hr 22mins - unknown gen - 24 tracks
same source as 1 & 2

Are You Ready for War?

Link to Satch's

The recording is a touch distant and has reasonable range and clarity of sound with some very mild distortion. The drums are clearly audiable as are the lead and vocals as ususal but the bass is lost. There may be slight upgrades to this knocking around.

Did you go? What do you remember?

We are looking for scans - articles - tickets - posters - flyers - handbills - memorabilia - photos - comments / any info - you might have. Anything welcome.

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We Are The Clash:
Reagan, Thatcher, and the Last Stand of a Band That Mattered

By Mark Andersen, Ralph Heibutzki

While Europe, appropriately enough, was soon to come on the itinerary, The Clash followed its Barrowlands concert with dates in Manchester, Leicester, and Bristol. The shows quickly sold out, and audience reaction was strong, if not universally positive. While devotees of Mick Jones or British pop were likely unsatisfied, this rough-and-ready Clash was proving to be blisteringly good.

Given that it had less than two months under its belt, the band was on top of its game, and Strummer was in good spirits. The vocalist's freshly cut Mohawk signaled confrontation, beginning with his own audience. In Leicester, he wrangled good-naturedly with some fans—including die-hard gobbers—and introduced himself as "Mick Jones" before "Are You Ready for War?"

Near the end of the set, shouting erupted in the crowd as Strummer announced "Tommy Gun." The singer waved off the band and stopped to listen. Hearing a litany of Jones-related complaints, Strummer spoke gently: "Can I ask you one question? Who understands why we had to change?" When only a few people raised hands, he responded, "Well, that means I have to tell the rest of you

With that, Strummer's voice shifted, rising from a conversational tone to a near scream: "The Clash was going nowhere—it was going to DIE! GOODBYE!" When this explanation failed to settle the matter, the singer challenged with biting humor: "What's your contribution to the scheme of things? What color are your underpants? This is the question that must be answered! I'll have the [tabloid scandal rag] News of the World on you . . ."

Satisfied with his repartee, Strummer then let the music talk. A twin-guitar crescendo ensued, heralding the long-delayed song, followed quickly by an equally fiery "I Fought the Law." This one-two punch was intended to leave anyone hard-pressed to deny that a genuine Clash was in the house.

Skepticism nonetheless was easy to find—and not simply due to the absence of Jones. In truth, the four big UK music weeklies —NME, Sounds, Melody Maker, followed by Record Mirror—had for years tended to savage anything The Clash did.

Sheppard laughs: "Somebody asked me once, 'Were you hurt by the bad reviews that The Clash got in England?' And I said, 'Well, they haven't had a good review since the first album—and that got panned by some people!'" I

t was not surprising when the first review—by Jim Reid of Record Mirror—found lots to criticize about the Leicester show. Decrying a "stultifying lack of imagination," Reid wrote, "The reconstituted Clash—three young blades, a Marlon Strummer, and a Mean Boy Paul—are five punky curators with a traveling `Museum of '77.' Muscular, energetic, and ultimately pointless."

Reid wrote that the powerful show put Leicester "under punk rule" for two hours, and allowed, "The issues The Clash deal with are important," before delivering the coup de grace: "It's just that the form they express them in has become meaningless . . . When Strummer screams 'White Riot' it doesn't mean anything."

Despite this, one gets the sense that—under his cynical pose—Reid liked the show, ranking new songs like "This Is England" and "Three Card Trick" alongside "the early—and best—Clash." Conceding that "a Clash show is nothing if not spirited," Reid concluded with a backhanded compliment: "As an exercise in nostalgia it sure dumps on the Alarm," a punk-inspired band then making waves alongside the likes of Big Country and U2, who were also summarily dismissed.

Hardened by past criticism in the weeklies, the band shrugged it off. Vinyl later made it clear the new Clash was "wasn't meant for them," as the unit was not interested in the pop-novelty merry-go-round ridden by these publications. "The Kleenex scene," scoffed Strummer. "Blow your nose on it and throw it away."

Did you go? What do you remember?
Info, articles, reviews, comments or photos welcome.
email blackmarketclash


London Calling
Safe European Home
Are you Ready for War
Know Your Rights
The Dictator
Rock the Casbah
The Guns of Brixton
This is England
Police and Thieves
Sex Mad War
Police on My Back
Three Card Trick
Tommy Gun
I Fought the Law
Complete Control
White Riot
Brand New Cadillac
Janie Jones
Career Opportunities
I’m So Bored with the USA

There are several sights that provide setlists but most mirror www.blackmarketclash.co.uk. They are worth checking.

from Setlist FM (cannot be relied on)

from Songkick (cannot be relied on)
... both have lists of people who say they went

& from the newer Concert Database

Also useful: Ultimate Music datbase, All Music, Clash books at DISCOGS

Any articles, interviews, reviews, posters, tour dates from The Out of Control '84 tour around the UK and Europe.

If you know of any articles or references for this particular gig, anything that is missing, please do let us know.

On the Road with the Clash
Traxmarx - includes this gig

Live at Leicester - review

Vince White describes this gig extensively in his Clash biog, The Last Days of the Clash, page 78

We Are The Clash: Reagan, Thatcher, and the Last Stand of a Band That Mattered
By Mark Andersen, Ralph Heibutzki

Clash City Showdown - Paperback
1 Dec. 2003 - by Chris Knowles

If you know any please let us know

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Joe Strummer Interview Radio Stockholm,
1 January1984

Joe Strummer Interview Ltd Edition picture disk

Interview with Joe Strummer and The Clash in Norway in 1984.

The Clash - Italy 1984 interview
Mister Fantasy - Italian TV - RaiUno
Broadcast 22 March

Joe Strummer of The Clash interviewed backstage pre show Milan Italy 1984. Taken from "Mister Fantasy. This is a very rare item. I had previously uploaded this a few years ago, but there was an audio fault and it always annoyed me, so I deleted the older version and uploaded this new one with the audio sorted. Taken from BASF L-750 Betamax tape archive number #080 digital archive #4018

Clash - 1984 Milan Italy News Show interview

Joe Strummer and The Clash interviewed pre show Milan Italy February 1984. This is a very rare item. I had previously uploaded this a few years ago, but there was an audio fault and it always annoyed me, so I deleted the older version and uploaded this new one with the audio sorted. Taken from BASF L-750 Betamax tape archive number #080 digital archive #4018

The Clash - "Jt. 13th" Interview (France) '84
Made from a second generation VHS-tape.

A longer version (below) is on Youtube but it is inaccesssible from the UK?

Joe Strummer interviewed by Lisa Robinson for WNYC?

This 2-part interview presents polar extremes of Joe Strummer. The first part most likely takes place in late 1983, after Mick Jones left the band but before the new Clash line-up started touring together. The majority of this segment involves Strummer heatedly discussing all the reasons Jones was fired. He then goes on to talk animatedly about the new incarnation of the band and how everyone in America is on drugs.

In the second part of the interview, recorded in the beginning of 1984, Strummer sounds melancholy and exhausted. However, with the departure of Mick Jones from The Clash being old news by this point, Lisa Robinson is able to steer the questioning towards what Strummer makes of performing, success, and his music.

Part 1
00:00 Why Mick was fired: emotional blackmail
01:15 Bitterness
01:56 Success vs. personal problems
02:48 Mick's vision for the band / guitar synth
03:59 Who/what constitutes The Clash
06:10 Making a not-so-great Clash album: Combat Rock
07:05 Glyn Johns saves Combat Rock (as per Joe Strummer)
07:55 Glyn Johns ruins Combat Rock (as per Mick Jones)
08:35 Forcing Mick Jones to sing "Should I Stay or Should I Go?"
10:22 An honorable way for a band to go out
11:00 The two new guitarists (Vince White, Nick Sheppard)
11:39 Hoping to be possessed
12:40 A divorced writing partnership with Mick / "Death is a Star"
14:02 Writing with Paul Simonon / road-testing new songs
14:55 Pete Howard on drums
15:07 Recording a new album
15:49 The US Festival
16:46 Everybody in America is on drugs
18:29 [phone]: Mick Jones' response

Part 2
00:00 Other aspirations / graphic artist
00:51 Growing up with a diplomat father
01:57 A feeling of homelessness
02:29 Slagged for being middle-class
02:59 The reaction in Britain to the disbanding of The Clash
03:45 Taking some criticisms to heart
04:25 Not enjoying playing in stadiums
05:45 Crowd behavior / whose fault
07:13 The ideal performing situation
07:49 Pros and cons for The Clash getting bigger
08:30 Avoiding the problems of The Who
09:09 The commercial success of Combat Rock
10:48 [A false start]
11:07 Joe's opinion of The Clash's music
12:11 Musical influences
12:45 The blues boom of the 60's in Britain
15:05 Re-selling R&B to the U.S.

Blackmarketclash Links
Extensive links page can be found here with links to web, twitter, Facebook, traders etc..

If Music Could Talk
The best Clash messageboard and which also has links to downloads on its megalists

Go here for uploads and downloads. It's not a massive space so its on an as and when basis.

Contact your local library here and see if they can help.

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The Official Clash
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Clash City Collectors - excellent
Facebook Page - for Clash Collectors to share unusual & interesting items like..Vinyl. Badges, Posters, etc anything by the Clash. Search Clash City Collectors & enter search in search box. Place, venue, etc

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Facebook page - The only page that matters
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Clash City Snappers
Anything to do with The Clash. Photos inspired by lyrics, song titles, music, artwork, members, attitude, rhetoric,haunts,locations etc, of the greatest and coolest rock 'n' roll band ever.Tributes to Joe especially wanted. Pictures of graffitti, murals, music collections, memorabilia all welcome. No limit to postings. Don't wait to be invited, just join and upload.
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I saw The Clash at Bonds - excellent
Facebook page - The Clash played a series of 17 concerts at Bond's Casino in New York City in May and June of 1981 in support of their album Sandinista!. Due to their wide publicity, the concerts became an important moment in the history of the Clash. Search I Saw The Clash at Bonds & enter search in red box. Place, venue, etc

Loving the Clash
Facebook page - The only Clash page that is totally dedicated to the last gang in town. Search Loving The Clash & enter search in the search box. Place, venue, etc

Facebook page - Our very own Facebook page. Search Blackmarketclash.co.uk & enter search in red box. Place, venue, etc

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Images on the offical Clash site. http://www.theclash.com/gallery

www.theclash.com/ (all images via google).
Images on the offical Clash site. site:http://www.theclash.com/