One of two secret gigs, hastily arranged for Christmas and Boxing Day 1979 prior to the Concert for Kampuchea.

updated 28 Dec 2008 - added Chris Salewicz Trouser Press Interview
updated Dec 2014 - added poster and tickets
updated August 2022 added Story So Far fanzine

Audio 1 - upgrade wanted

Poor - Sound 1.5 - 1hr 19mins - Unknown generation - 20 tracks

Brand New Cadilac

Too many generations off the master

Sadly for what was a unique occasion, The Clash playing for 50p in a small hall, the only recording in circulation is a very poor one.

It's an audience tape, too many generations off the master where all the sounds merge to the bottom end. Vocals are especially poor, almost completely lost in several songs, making them instrumentals.

Partly this is a result of the acknowledged poor sound from the PA, commented on by Vivian Goldman in her Review in Sounds and certainly Joe's vocals are better than both Mick's and Paul's suggesting all is not the fault of the taper.

White Riot at times is inaudible and there are terrible tape speed problems at times. Bass is very strong but distorted dominating the sound.

There is some clarity though on guitars and drums making it just about enjoyable. For all it's fault it is the only record of a very interesting gig in Clash history and does include the first known live outings for Keys To Your Heart, Train In Vain, Revolution Rock and Bankrobber.

Two secret gigs, hastily arranged for Christmas and Boxing Day

Two secret gigs, hastily arranged for Christmas and Boxing Day 1979 were held for a combination of reasons; to thank their patient fans, as a warm up for the Kampuchea benefit performance on the 27th at the Hammersmith Odeon and because as Mick said no one in England has anything to do over the Christmas holiday.

Kosmo is reported in Bob Gruen's book (which includes a number of photos from Acklam Hall, see below) as giving the reason that the Westway to the Clash is what Trenchtown was to the Wailers a physical and spiritual place, so the idea to play at Christmas was to do something for the community from which they came. It was home, Mick Joe and Paul all walked from their places to gig.

"What you doing here then!"

The recording starts like the gig with Bob Gruen's trumpet heralding the arrival on stage of The Clash, as he would do for the Kampuchea show and then at Bonds in 81. "What you doing here then!" is Joe's greeting before Clash City Rockers kicks off as the new 1980 set opener.

The noisy crowd are heard chanting "West London La La La". Joe intros Mickey before Jimmy Jazz "cast your eyes over here, Mr Gluggo Gallagher… this is called Stay Free!"

Jimmy Jazz is the most interesting song so far, with less distortion, bass lines clear and Joe's guitar and Mickey's organ heard. "Ok is everybody ready, this one is a recruitment song, I'm not working for.." Clampdown now has the song ending that would be played from here on, Topper's drum figures bringing the song to a suitable climax. On later performances Joe will add improvised lyrics to this final section, to great effect.

Guns of Brixton and Train in Vain are effectively instrumentals with vocals not heard. Shouts for White Riot are met by Joe "This is White something!" with his vocals heard OK on White Man.

Joe's first major song, Keys To Your Heart, from the 101'ers gets its first Clash performance, followed by Revolution Rock's live debut. These songs are the highlight of the recording, with the sound up a notch from earlier.

The sound then dips again to predominantly left channel after an edit. Joe's latest song Bankrobber gets its first outing here, and it's much faster than its later recorded and live versions, more R'n'B than reggae. Janie Jones and London's Burning bring the set to an end.

Armagideon Time kicks off the encore, now in its new arrangement as recorded November 5th and released as the other A Side on the London Calling single on December 7th.

Police and Thieves is a fine extended version with Mick's soloing heard OK despite the limitations of the recording. White Riot "for Ladbroke Grove" includes the skinheads stage invasion with London Calling the final song.

The Clash Play Revolution Rock

Link

Chris Salewicz, Trouser Press, March 1980
IT'S FOUR days before Christmas. A dark, early evening damp with snow and rain. Immediately south of the Thames, in the inappropriately genteel Victorians

One thing for certain

Aklam Hall review-

Clash make it good

Melody Maker REVIEW -

5 Jan 1980

text version

The Story So Far fanzine

issue #3 (1980)

Band interview, likely date 26th December 79

Clash: Tour and Single

Did you go? Comments, info welcome...

Info, articles, reviews, comments or photos welcome.
Please email blackmarketclash

The Clash Official | Facebook

Photos

Setlist

1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20	Clash City Rockers Brand New Cadilac Safe European Home Jimmy Jazz Clampdown Guns of Brixton Train in Vain White Man Koka Kola Keys to Your Heart Revolution Rock Wrong Em Boyo Stay Free Bankrobber Janie Jones Londons Burning Armagideon Time Police and Thieves White Riot London Calling