...Southall Defence Fund benefit. Support Aswad, The Members. The other support act was Bongo Danny and the Enchanters.

updated Dec 2014 - added punters comments
updated Dec 2014 - added posters
updated August 2022 added newspaper advert

No known audio or video

If you know of any recording, please email blackmarketclash

for the Southall Defence Fund, set up by RAR

A benefit gig for the Southall Defence Fund, set up by Rock Against Racism after protesters had been arrested during an anti-fascist/ anti racism demonstration. The Gig was organised by People Unite under the banner Southall Kids are Innocent". Both shows were attended by capacity crowds and a good time was had by all with no trouble," writes Mick in Armagideon Times. The Clash @ Facebook (includes comments). See also this Clash City Collectors post.

Lorne Cartlidge: Was there, but it's another one of those gigs that a lot of memory as faded,apart from a lovely gell I remember chatting too in a cafe before.hand...something seems to stick in memory real or imagined of Mick in a red suit box jacket..

NME Clash Townsend Rainbow
Two separate benefit concerts

30 June 1979

Clash, Townshend: Rainbow benefit concerts

PETE TOWNSHEND and THE CLASH headline two separate benefit concerts on successive nights at London's Rainbow Theatre next month, organised by the Rock Against Racism movement. Both shows are in aid of the Southall Defence Fund and People Unite, and the full line-up is: Pete Townshend & Friends, The Ruts, The Pop Group and Misty (Friday, July 13); and The Clash, The Members, The Enchanters and Aswad (Saturday, 14).

In addition to the names announced, a few surprise appearances can also be expected.

It's understood that Townshend's friends are likely to include The Who's Kenny Jones and possibly John Entwistle, though Roger Daltrey will be unavailable because of his filming commitments in 'McVicar'. The Rain- bow has obtained permission from the GLC to remove its seats for these two gigs, and tickets should be on sale at the theatre's box-office this morning (Thursday), all at the one price of £3.

The Clash's Joe Strummer talks about the project on page 14.

SOUNDS Clash, Pete Townshend against racism

enlarge image

Clash, Pete Townshend against racism

THE CLASH and Pete Townshend And Friends headline a two-night Rock Against Racism benefit gig at London's Rainbow Theatre on July 13 and 14.

Pete Townshend And Friends play on July 13. Pete's 'Friends' will include Kenney Jones and John Rabbit Bundrick who are now with the Who but Messrs Daltrey and Entwhistle will not be appearing. Other groups on that night include The Ruts, Pop Group and Misty.

The Clash will be playing on July 14, it's their first live appearance here since their London Lyceum dates in January since when they've been on an American tour.

Other bands that night are Aswad, the Enchanters, and the Members.

Tickets for each night are £3.00 and go on sale at the Rainbow this Thursday. The seats will be remov- ed from the stalls for the gigs.

Both gigs are in aid of the Southall Defence Fund and People Unit whose offices were 'rerrang- ed' following a flying visit from the Special Patrol Group during the Southall riot against the Na- tional Front before the last general election. Misty manager Clarence was badly hurt during the incident and has been in hospital with a blood clot on his temple. He is now out of hospital and recovering slowly.

Tickets

Adverts/flyers

Badges

The Rainbow - Punk 77

Link or Archive PDF

The Rainbow in Finsbury Park N4. Large venue that was originally part of the Astoria chain of cinemas in the 1930's that like so many became a rock venue.

In its time it had seen just about every major act play there from Jimi Hendrix to the Who. Closed in 1975 it lost some ground to Camden's Roundhouse but its reopening and refurbishment in 1977 set it back on course as a prominent North London venue.

In punky times it was infamous for the Clash riot where seats were torn up. The Stranglers regularly played here and the Ramones had their 1977 New year Eve concert immortalised on vinyl with the double classic 'It's Alive'. In 1977/1978 Jock McDonald would rent out the top and put on gigs, meaning you could have Thin Lizzy playing below while the Meat cranked it out upstairs.

Set on an island between two one way systems that went to and from the West End you could reach it by exiting the labyrinthine Finsbury Park Tube station tunnels and it was always worth getting a quick drinkie in the George Robey pub opposite.

Sadly residents complaints about noise and people shut it down in the Eighties. Now some god-awful gospel revival bollocks occur there. Fantastic ceiling of star and palm trees....but no Rainbow.

Photos, links

The Rainbow Theatre, 2002

As soon as they hit the stage my mate and I pushed our way as far to the front as possible.

I remember arriving slightly late, and the worse for booze. The support act were just arriving on stage, and although listed as Sham 69, I am pretty sure they were not there. I do remember Rat Scabies, and a few of his mates playing, although he, and some of the others were very drunk/the worse for substances, and the set, which seemed to be little more than a few numbers, was a complete shambles, and they were booed off.

There was then a lot of waiting for The Clash to appear, but when they did - WOW. Lighting was basic white lights, and the backdrops of images of planes, etc. were the only distractions from the band. As soon as they hit the stage my mate and I pushed our way as far to the front as possible. I seem to remember them playing almost all of the first album, and quite a lot of what would become their second - everything at breakneck speed. I had already seen The Jam on a couple of occasions, and didnít think they could be topped. But crap support or not, this gig was absolutely amazing. I remember White Riot being among the encores, and several people getting up on stage. Looking back now, I canít believe how lucky I was to pay £2.25 (cheap even at the time) to see the most amazing live band ever. I only wish there was a live recording of the show!í

I have looked everywhere for a live recording of this show - or anything from the tour. I canít get the downloads on the links you sent below to work. You suggest not buying cds from ebay, but it is very difficult knowing where else to get them - I desperately want something to remind me of one of the nights of my life.

Spence, Paul Spenceley <paul.brownie[at)blueyonder.co.uk>

Ended up helping shift the kit after the Saturday gig

Charles Brown - Ended up helping shift the kit after the Saturday [The Clash] gig

Sam Jamieson - Did Pete Townshend have a band backing him for this gig or was it just him solo acoustic?

Two great nights

Iain Lawrence - I was there both nights, Friday and Saturday.

Johan Erichs - Two great nights, The Clash, the Ruts and the Members....

Memories of a great time

Nick Ray - I was there

Tomas Nordmark - Sat 14th July -79. I was there...

Peter Abbott - The only Clash gig I witnessed from a seat! Up in the circle away from the madness you could concentrate on how great the new songs are and how great they look as these great photos clearly show.

Stuart McArtney - Ranking Fred, Was the benefit to do with Blair Peach (I think) who died during an anti fascist rally?

Ranking Fred - Yes Stu, I think ! http://youtu.be/0rcx0hMHuak

Stuart McArtney - Memories of a great time.

my favourite Clash show

Steven Hancock - my favourite Clash show out of the 20+ times I saw them. shame there isn't a recording of it (as far as I know)

Peter Abbott - Facebook - That RAR Rainbow show was unique amongst my Clash shows as it was the only one we watched from the circle (am i remembering correctly Ian Goold )so i remember it in widescreen rather than being in the thick of it. A different perspective but still absolutely thrilling..

best gig of my life!

Luis Carlos Ferreira - The Clash at "Southall Kids are Innocent" gigs, The Rainbow, London 1979.

John Grieve - I was there Sat night, best gig of my life!

John Bohme - My first Clash gig, amazing night.

Keith Billington - Was there on the Sat night

PJ Austin -  I was there.

Allen Wellington - I was there.

Trevor Finn - I was there!

Paul Wilson  - Mat Coffinatchi-Black  - They played some London Calling tracks at an RAR benefit at the Rainbow Finsbury that summer. I went but cant remember the exact date. London Calling, Rudi; Hatefull, Death or Glory and Im not down. 14th

Rainbow Theatre, Finsbury Park, History - Rainbow Theatre, Finsbury Park, History | Facebook - 14th July 1979............The Clash, Misty in Roots, Bongo Danny and The Members play The Rainbow in second in a two day series of concerts organised by the Anti Nazi League under the banner of 'Rock Against Racism'.

The gig was to raise money to fund the defence of kids arrested at an anti racism demo in Southall, West London. The first night featured Pete Townsend and Band, The Pop Group, The Ruts, The Enchanters and Aswad.......42 years latter, and we're still fighting racism in society!!!

Blackmarketclash | Leave a comment

Sounds Review - Rainbow

14 July 1979

It's what we'd all come for. What the whole weekend was about. Silence; then handclaps. Curtains rise on The Clash. I'm hoping. They've gotta be better than at the Notre Dame. That was just a practice gig. And they are. Far, far better.

They've changed, for better or for worse. They look cooler, trendier. There's the new songs, controversial in their acceptability, but in spite of the talk of the `new Clash', they still play the old songs. And they play them well, as ever.

Starting off with `White Man In Hammersmith Palais', crashing through `Clash City Rockers', `I Fought The Law', `London' Burning' to name but a few The new numbers aren't new anymore though. l've heard them before and they sound miles better on the second time around. Deep and pounding `London Calling', `Death Or Glory', and new Clashic `Rudie Can't Fail'.

You couldn't move. Even the Rainbow was steaming. All eyes on Joe as he poured Out his feelings, his passions with an ironically twisted smile. Nearly lost his mike to the ebullient followers. Threw his guitar triumphantly into the atmosphere as the set closed. Plenty more where that came from.

Return to the stage. Stand there like gods. Play `Tommy Gun' and `Garageland' for the fans who are theirs for ever. Then they've gone. Lights go on, bathing sweaty faces. Certain in their love of The Clash, maybe less certain of this time. But give em enough rope, and you'll find little has changed.
The Clash live on.

ROBBI MILLAR

NME review - Clash are alive.

Clash
Aswad
The Members
Bongo Danny

14 July 1979

Rainbow 14 July 1979

The myths and symbols are vaguely echoed; the vulnerability of the attack on the massive obstacles - of everything from falling in love through struggling for survival to wondering what is the `cause' - is more obvious than it has ever been.

But Clash are alive.

Alive because caught within the flash where most people aren't even able to blow their noses, Clash are willing to blow their lot. Clash's significant resignation is manifested as the ultimate defiance. And that's positive enough and primitive enough to be actually liberating.

Clash are alive because they refuse to congratulate themselves, could never isolate themselves and because their confusion doesn't render them impotent but infuses the whole being with practical resistance and the urge to uncover.

The Clash are dangerous and alive because with quiet industry they've reached a stage where they are something a Lot more than simply `scandalous' within the rock'n'roII network. And they operate with a strange value on the perimeters avoiding fake pulp publicity, making all sorts of mistakes - showing themselves up and being realistic enough to offer no hope. Because there is no hope.

NME -Paul Morley review, The Clash are alive!

So who sits back?

Clash are the real sound and fury. They're the first' rock'n'roII band you could call `dangerous' without chuckling at the same time.
Clash explode through everything once they're on stage. They know more than anybody that that's where it matters.

You only have to look.

I used to blindly follow what everybody else whined about The Clash, what they've read into it; about the frills and the poses and the slogans. Now I will decide for myself, and I'm going to be right.

They're a sort of blank screen on which the entire history of rock'n'roll achieves a comprehensive focus; corny, splendid, and, er, rebellious. They've got all the cliches and all the soul; all the poses and all the grunts.

When MIcK Jones keeps his face and body straight and slashes his right hand across his guitar- that is rock'n'rolI. And it's not silly. It's great!

Before Clash, sharing the- bill and the spontaneous pained outcry against the Southall debacle and completing a moving union three acts entertained with that mixture of toughness, tenderness and triviality that makes you glow inside.

Bongo Danny And The Enchanters played the droning rhythms. Part time attention is what you need for this stuff. In the seat-less Rainbow that was easily attained; it was a light way to start.

The Members were even better than I hoped for.
You can tell they've been playing a lot lately. Their set was taught and right; pop song after pop song, some verging on the epic, some bumping around an immediately identifiable reggae feel. Nicky Tesco seemed angry and J.C. was in his element. Who needs anything more?

Aswad, despite hints that the event was running well overtime, (a deserved `Members' encore was apparently out of the question), played a long set.
At first I was bored, my mind kept wandering. But then I noticed my right leg was moving and my fingers clicking. So I concentrated. Aswad are not as languid as a casual listen would suggest. There is depth and strength that you might have to move in close for.
Their music drifted into pokey jamming and choppy doodling, floated around a little, but didn't seem out of place. When Aswad finally left, the atmosphere was thick and sticky and just right.

Clash run out onto the stage, towards a mass of multicoloured hair, sweaty faces and pounding fists, and everything is as it should be. Topper is shoved away. Paul Simonon is loose limbed and beautiful. Mick Jones is a red guitar hero. Joe Strummer is a contorted leader.

Clash are a hard rock group, but calling them that - and inadvertently incorporating all the traditions of rock'n'roll that are really irrelevant - it must be said that no one else deserves the title.

Clash are hard but it goes far beyond a mere label, a simple cosy dismissal.

They do what has to be done - thinking about the plectrum, thinking about a clenched nose - and play each moment for all it's worth. You don't know what this Really means until you see Joe Strummer inching towards the drum stand, side on, legs twitching, guitar on hip, face wrecked, fingers flurrying.

They thrash time, do it for themselves (which accounts for some of the posing), and push it so that everything threatens to collapse and there are a lot of holes. But the spirit keeps it together as much as needs be.

And faced with an audience whose responses are as `mechanical as everyone says The Clash's poses are, they need that spirit.

The Clash are audacious, natural, contrived: everything end nothing. The moment matters, and no more. The moment can hurt. But perhaps only because I wanted it to (and at the moment I'm making the rules).

This was a ragged sort of gig, but I think that it's the totality that is far more important than a single event. It started off like something important, but soon wilted. Perhaps it was because there were lots of new songs, and people just weren't familiar with them.

I thought the new songs sounded like masterpieces, but then you've probably learned not to trust me by now.

The Clash have a long way to go, but they're closer than anyone else that I can think of. No one knows what to do with them these days, but I've made my mind up.

The Clash are alive!

Paul Morley

Paulo Hewitt review (partial) - WANTED ****

Full review wanted - 14 July 1979

CLASH/MEMBERS/ASWAD London Rainbow

.... only they can now break.

It was a memorable performance, which left a smile on my face until Aswad stepped forth. Unfortunately, somebody somewhere had decided to put emphasis on the bass and drums to such an extent that the light ethereal feel that the keyboards and guitar strived for was completely drowned. The result was a dull, repetitious thud which failed miserably to ignite the crowd. The lead singer bounced along jauntily, but he wasn't convincing anybody and, any- way, the Clash were on next.

Concerning the Clash, I have nothing to add to the perceptive review they received in this paper last week, except that in terms of skill and fire-power they still hold the cards over most bands.

And, judging from last weekend, I'll take Strummer over Townshend any day of the week.

PAULO HEWITT.

Badges

Clash City Collectors | facebook.com
Andy Southall - Southall Defence Fund. Rainbow gig.

A Riot of Our Own pg -

14 July '79 - The Clash play The Rainbow Theatre.

The Clash | facebook.com

A benefit gig for the Southall Defence Fund, set up by Rock Against Racism

The Southall Kids are Innocent – Martin Black

Notes from a Punk Rock Memoir

Archive PDF

Martin Black, a huge Pete Townsend /Who fan at the time went to the Friday night gig (The Clash headlined Saturday) with his schoolmates, Seamus and Mitch ...

Pete Townshend performing at The Rainbow, London. 1979 Photo by Syd Shelton

Open photos in full in new window

Syd Shelton Rock Against Racism images that define an era

The Guardian
6 September 2015

Read the full Guardian Article
Archive PDF

Rock Against Racism: the Syd Shelton images that define an era This article is more than 9 years old Between 1976 and 1981, Britain’s youth tribes rose up against the National Front. As a new book of his pictures is published, photographer Syd Shelton talks about a unique moment in music culture

When Rock Against Racism was born, photographer Syd Shelton was there to record it

Loved the music, hated the bigots | The Independent | The Independent

Loved the music, hated the bigots

Forty years ago this summer, when Rock Against Racism was born, photographer Syd Shelton was there to record it. As his new show opens, he explains how a musical youth movement stemmed the rising tide of prejudice 

READ FULL ARTICLE ONLINE

Archive PDF

Glossy poster available after the gig.

Link - Another link - More info

NEW WAVE POSTERS. Collection of 8 assorted posters, mostly circa 1980s magazines/Personality/Pace etc. Condition and sizes vary. Echo and the Bunnymen, The Clash, Wings, OMD, Human League etc. Sold for £30 Hammer Price

THE CLASH ON PAROLE | Facebook
Virginia Turbett

5. PHOTOS OTHER

(6) Clash City Collectors | Facebook

This Dbl sided 5th Column T-shirt was adapted for the Clash’s Pearl Harbour US 1979 Tour, BUT this one was bought at the Rainbow RAR gig on this the 14th of July 1979.

5.PHOTOS OTHER

Robin Tate - The top original Dbl sided 5th Column T-shirt, Was adapted for the Clash’s Pearl Harbour US 1979 Tour, this one belonged to Paul Simonon & was sold via Evilbay. Next is the same T-shirt but this one was bought at the Rainbow RAR gig on the 14th of July 1979. Then comes this very unusual US T-shirt. Facebook

Other photos

Link

Photos Virginia Turbett

13 photos - Musicpictures.com

Photo unknown

More photos

Newcastle 1980 review uses photo from this gig at the Rainbow

Facebook - https://www.facebook.com/
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Southall Kids Are Innocent Rock Against Racism Benefit gig at The Rainbow Theatre Getty Images

Virginia Turbett

Paul Simonon of The Clash
Paul Simonon of The Clash performs on stage at the Southall Kids Are Innocent Rock Against Racism Benefit gig at The Rainbow Theatre, London, following the Southall Riots in July 1979 (Photo by Virginia Turbett/Redferns)

Photo of Joe STRUMMER and CLASH and Mick JONES and Paul SIMONON
UNITED KINGDOM - JULY 14: RAINBOW THEATRE Photo of Joe STRUMMER and CLASH and Mick JONES and Paul SIMONON, L-R: Mick Jones, Joe Strummer, Paul Simonon - performing live onstage at Rock against Racism show (Photo by Virginia Turbett/Redferns)

THE CLASH - LIVE AT THE RAINBOW THEATRE, 1979 - PHOTO PRINT.

The Clash, a 20x16" digital print of The Clash, live at the Rainbow Theatre, July 1979. Signed by the photographer Virginia Turbett, mounted and printed on acid free card.

Virginia Turbettís first photo assignment was in June 1977 photographing the Sex Pistols recording the Pretty Vacant Video.

She spent the next ten years photographing for Sounds, Smash Hits, The Face, New Sounds New Styles, Flexipop and Record Mirror : the music, the fans and fashion of the punk, heavy metal, mod, new romantic, reggae, 2-tone and electro pop scenes.

Her work took her all over the world photographing features on hundreds of bands and solo artists including The Clash, Blondie, Iggy Pop, Prince, The Jam, U2, Andy Warhol, Frank Zappa, Nick Cave, Depeche Mode, Madness, David Bowie and Duran Duran.

Virginiaís music, youth culture and social history photographs have been used to illustrate many thousands of magazines, books and are frequently used in documentaries and films.

Virginia has not made a hand made, darkroom, print since 1995. All prints made since then are digitally scanned at 3200 dpi from the original negative and printed on Canon Paper with Canon inks except for prints over A3+ size which are printed using silver gelatin process by Harman Lab.

Sold for £95 Hammer Price

14th July '79. The Clash played this Benefit show organised by People Unite and RAR for victims of the Southall Riot (23rd April 79) It went under the banner 'Southall Kids Are Innocent' Below are my original Penni Smith press photo & Ticket from the night (the Clash were on fire at this gig)

No known audio or video
If you know of any recording, email blackmarketclash

1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 1 2 3 4 5	White Man Safe European Home London Calling Clash City Rockers Hate & War Hateful I Fought the Law Rudie Can't Fail Julie Death or Glory London's Burning Stay Free Capital Radio I'm Not Down Police & Thieves Remote Control Complete Control English Civil War Tommy Gun Brand New Cadillac What's My Name Soundcheck Remote Control Hate & War I Fought the Law Brand New Cadillac Lover's Rock

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There are several sights that provide setlists but most mirror www.blackmarketclash.co.uk. They are worth checking.

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from Songkick (cannot be relied on)
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Also useful: Ultimate Music database, All Music, Clash books at DISCOGS

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Sep 11, 2013: THE CLASH (REUNION) - Paris France 2 IMAGES
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