Sort it Out Tour Supported by The Slits
updated 12 Feb 2012 - added ticket
Major update Dec 2014 - cataloguing dates of offical releases
Wednesday 3rd January
Audio
Sbd - sound 4.0 - full - 19 tracks
Complete Control (3rd)
Lot of confusion over the recordings over three nights; There is a lot of confusion over the recordings over three nights; which belongs to which so we have unusualy listed all three with a breakdown of the official and unofficial recordings and which night we believe they originate from.
Our view There has been confusion over which of the 3 Lyceum dates are the source for the Sort It Out /Buy or Die CD and which for this “Rude Boy” filmed/recorded concert. The pro-recorded gig used in the film IS the 3rd January and NOT the 28th as previously thought. The boots, Sort it Out and Buy or Die are from the 29th, and maybe as stated the 28th as well. The recording from the 3rd is much superior to the boots from the 28th and 29th and nearly as good as they appear on FHTE. FHTE dates the “Rude Boy” gig as 28th December from where 'I Fought the Law' and 'City of the Dead' came and the Clash On Broadway booklet has English Civil War from this concert as recorded January 79. However all three tracks come from the pro-recorded gig of the 3rd January and FHTE has most likely got it wrong. FHTE used the Rude Boy dates which have proven wrong previously; eg. the Music Machine July 78 songs are not from the 27th July as stated. An audience recording would be VERY helpful
Thursday 28th December Audio sbd but from copies - 2 tracks (Sort it Out / Buy or Die bootlegs) - Sound 4.0 White Riot (28th) There is no way of knowing if the Bootlegs Sort it Out/Buy or Die/USA 79 are from the 28th and the 29th. Sort it Out says it from the 29th with the last two tracks from the 28th. We are going to accept that. Buy or Die is a reissue but with a full Garageland.
Friday 29th December Audio - sbd but from copie(s) - 18 tracks - Sound 4.0 - full? Tommy Gun (29th) There is no way of knowing if the Bootlegs Sort it Out/Buy or Die/USA 79 are from the 28th and the 29th. Sort it Out says it from the 29th with the last two tracks from the 28th. We are going to accept that. Buy or Die is a reissue but with a full Garageland.
Wednesday 3rd January Audio Sbd - sound 4.0 - full - 19 tracks Complete Control (3rd) We can assume this is the correct date as Joe apologises to ticket holders from the Music Machine gig and Mick says this is the last gig for 6 months. This is one of the best sounding Clash boots (3rd) available and comes from a great live period. It is a superb audience recording (individual voices near the microphones can be heard) using professional quality equipment. Of the instrumentation Topper’s magnificently powerful drumming comes through best, guitar’s are excellent too although a touch too far back in the mix, and Paul’s bass is very good but somewhat lacking in depth and focus. Vocals too are excellent but not quite as in your face as a soundboard recording. Overall there is a slightly harsh sound but these are minor criticisms of an excellent recording of a magnificent performance. The only defects in this recording are some patches of distortion, a few drop outs and the fact that this source has not been mixed by the likes of Bill Price for FHTE to pick out the instrumentation and improve the stereo separation.
16 track mobile studio for Rude Boy For Rude Boy (and CBS) this gig (3rd) was recorded professionally on a 16 track mobile studio like the previous gigs on the 28th and 29th December. More recently Sony have released more tracks through Sound System box set. (See above)
Bootlegs Sort it Out CD - Sound 4 - 68min - USA 79 CD - Sound 4 - 64min - cd/m - 18 tracks Buy or Die CD - Sound 4 - 68min - cd/m - 21 tracks
Offical Releases We have listened over and again to these tracks and in our best efforts we believe these tracks correspond to the above gigs. The official releases have been remixed (16 track originals?). We have concentrated on the intro and outro's of each song and Joes lyrics where there tends to be particulalr differences. We have photos the 28th and these do not match the video 'I Fought the Law' which comes from the 3rd January which places multiple photos from the middle date, the 29th.
Audio Clash on Broadway box set
Rude Boy Cassette (official) A very limited promo tape issued by Atlantic Publishing Nov 16 1980.
From Here to Eternity
From Here to Eternity sampler
From Here to Eternity II (unofficial)
Sony Sound System box set
Rude Boy Video -
Rude Boy DVD - with bonus track
Rude Boy Promo cassette more info Sound 5 - 6min - 1gen - 2 tracks
Clash on Broadway Box Set Sound 5 - 6min - 2 tracks
From Here To Eternity Sound 5 - 6min - 2 tracks
full gig from 16 track mobile studio
Rude Boy Video Sound 5 - 3min - mast - 1 track
Rude Boy DVD - with bonus track Sound 5 - 6min - mast - 2 tracks
Visit the Clash on Stage website for a comprehensive catalogue of unofficially released CD's and Vinyl. |
Clash gig oversold - extra date added
Another Clash benefit gig
The Clash are proposing to play a special New Year benefit for under-privileged children in London's East End. But at time of going to press no date or venue could be confirmed, although it's expected to be early January.
Meanwhile their recent London Sid Vicious ‘benefit' concert was an apparent success with "nearly £1,000" raised for Vicious, currently n custody in Rikers Island - New Yorks city jail.
The Lyceum dates
The Sort It Out Tour London dates were added late due to difficulty finding a suitable larger sized venue. And partly to accomodate the finishing of the Rude Boy film.
The Lyceum Ballroom, just off The Strand was chosen not just for its larger capacity but because the stalls area was seat less. The fans could dance whilst those who wanted it could sit in the Circle and Upper Circle. In the late 70's / early 80's the Lyceum was a faded theatre used as a disco (with its large mirror ball hanging from the ceiling) and concert venue.
Nowadays its grandeur has been restored and it hosts bland West End Musicals. But at the close of 78 (and again in October 81) the Lyceum rocked (and how) to the Clash City Rockers.
The music press had covered the Sort It Out Tour in some depth earlier and only the Record Mirror reviewed these gigs. Sheila Prophet wrote, "Possibly the best gig I've ever seen Clash do. I can't think of a nicer way of ending `78."
Adverts
Extra Show
Poster
Important Notice from the venue
Melody Maker: Extra Clash
23 Dec 1978
The Lyceum, London |
3rd January 1979
The Clash all dressed in black (for Dave Mingay's benefit for Rude Boy live footage) and explode into Safe European Home, followed by the definitive live version of I Fought The Law.
Joe then says "Special hello to those of you who got Music Machine tickets and got fucked about at the door (referring to the Sid Benefit gig) and the whole lot of you for waiting".The January date was added to cope with excess demand and problems at the Sid Benefit.
A brilliant Jail Guitar Doors follows with Joe singing the Toots & The Maytals lyrics "54, 46 that's my number, right now someone else has that number".
So many of the performances are brilliant and arguably the definitive live recordings in circulation (Drug Stabbing Time, Cheapskates, Julie probably - Tommy Gun and Clash City Rockers have a number of competitors not least the Something Else TV performances), that its easier to pick out the ones that are not superlative.
Police and Thieves has certainly been performed with more intensity and imagination, which together with Capital Radio are normally the standout songs from the 78 set lists because they allow more musical and lyrical improvisation. But here Capital Radio too whilst still highly enjoyable is not inspired. The FHTE decision to use the fantastic Lewisham 80 performance is vindicated.
White Man suffers from a tape edit mid way and a further edit that repeats the Robin Hood refrain. It's a great performance though, with Joe spitting out the words with venom and passion.
There is a pause before Stay Free with Mick saying of Joe "he says just get on with it, that's all he ever says to me".
Stay Free suffers mid way with bass distortion and Mick's vocals dropping of in the mix, before the song picks up again with some great lead work from Mick on the end coda. Julie's Working for the Drug Squad, not normally a live favourite is excellent here, providing some contrast with its r'n'b almost funky backing.
The band then charge through the older crowd favourites (with Joe's voice sounding increasingly hoarse), Janie Jones, Garageland, and into the encore of Complete Control, London's Burning and White Riot with Mick teasing the audience over Topper's drumming with "wait for it" before crashing into the first chords.
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Awesome and only 16 at the time
Tex Sayer - I was lucky enough to be there
Mark Carter - I saw all the Lyceum gigs Dec 28th, 29th then Jan 3rd, I remember these gigs just being the Clash enjoying themselves after a hectic year, all 3 nights were something else, pure energy.
(3rd Jan) Remember well because it was the last night of the tour and I'd been to a lot of gigs on the sort it out tour, I also remember it seemed more packed than the 2 nights the week before and was hot as hell.
Mark Embury - I was fortunate enough to see them at the Lyceum in December 1978 , still the best after all these years, a couple of the tracks on ‘From here to Eternity ‘ were recorded that night. Awesome and only 16 at the time.
Simon Foster - I also saw them at the Lyceum, just turned 17...those were the days
Arthur Williams - Lyceum was first time I saw The Clash live, 15 years old
Duncan Philps Was there with two mates. The band came on and in the mad crush I was swept away from them both and didnt see them again until outside after the gig!! If I remember right they must have played solid for two hours plus. It remains the best gig I've ever been to. Loved the atmosphere back then, always a bit edgy, on ya toes, but so much to take in.
Warren Dighton Great Gig,, With the Lyceum bieng the Best place for Punk Gigs at the time.
Dream Deferred | The Clash a riot of our own
By Hassan Mahamdallie |
8 January 2018
Added to BMC July 2024
Punk and New Wave exploded onto the musical stage in 1976-77. The new music brought the bloated rock scene that came before it crashing down - and punk has shaped much of the music that has come since. Two years ago Hassan Mahamdallie began his occasional series on this blog - a personal, musical and political journey. He ends the series looking at one of the most important - if not the most important - punk bands of all time, the Clash.
Retrospective review of
White Riot 7"
Police and Thieves
Clash City Rockers 7"
Complete Control 7"
Armagideon Time (LC12)
Live at Lyceum December, 1978
The Clash perform at the Lyceum Ballroom in London, 1978
Decade 77-87 | Facebook
I Fought the Law from 3 January 1979
The Clash Official
The Clash Official | Facebook
Naked fans: The Clash attract the strangest of people ...
Liverpool Echo - Friday 12th January 1979
Dream Deferred The Clash - A riot of our own
Chris Knowles: The Essential Clash Bootleg Bible
The Essential Clash Bootleg Bible includes this gig
Record Mirror Snow White Riot
Photos
Open photos in full in new window
Getty Lyceum dates - different nights
29th December
3 January 1979
Also check out here
Extensive archive of articles, magazines and other from the Sort it Out Tour October- December 1978
Archive - Bernie-Rhodes-Split - Tour-dates - Posters-Adverts - Passes-tickets - Snippets - UK-Articles - US-Articles - International-Articles - Comments - Video and Audio
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Setlist
1 |
Safe European Home |
Extensive archive of articles, magazines and other from the Sort it Out Tour October- December 1978
SORT IT OUT TOUR Autumn 1978
ARTICLES, POSTERS, CLIPPINGS ... A collection of Numerous articles, interviews, reviews, posters, tour dates from The Sort it Out Tour Tour, October, November 1978
VIDEO AND AUDIO Video and audio footage from the tour including radio interviews.
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