MTV’s 120 Minutes

Joe Strummer appeared on MTV’s 120 Minutes in 1988, joining host Kevin Seal for an interview filmed at the legendary Scrap Bar in New York City. Sometimes mis-labelled online as the “Joe Strummer Interview, in a Bar” with an incorrect date.

This informal interview (12:26 minutes) captures Strummer’s candid thoughts on punk’s evolution, American culture, and life after The Clash. This appearance was part of MTV's effort to spotlight alternative artists, and Strummer's interview provided insight into his post-Clash projects and musical direction at the time.

During the conversation, Strummer discusses his post-Clash projects and introduces the world premiere of “Trash City” from the Permanent Record soundtrack. Strummer discussed his work on the film Permanent Record, his collaboration with the Latino Rockabilly War, his involvement with the Pogues and his ongoing collaborations with director Alex Cox and his work on film soundtracks such as Walker and Permanant Record.

The episode also featured the premiere of his single "Trash City."

He speaks candidly about adjusting to life after The Clash, reflecting on the challenges and creative freedom of composing for film as opposed to fronting a band. The relaxed environment led to wide-ranging topics, from industry politics to New York’s late-1980s music scene.

Strummer offering insight into his creative process, personal philosophies, punk’s legacy, his views on commercialism, and his enduring commitment to music as a force for change.


Joe Strummer Interview, New York Bar

Youtube: Watch best quality online, no intro
Youtube: Watch MTV 120 Minutes with Kevin Seal (1988.04.17)
Youtube: Watch 1988 | The 120 Minutes Archive


This interview with Joe Strummer, lead singer and guitarist of The Clash, offers insight into his recent work in film soundtracks, musical collaborations, political observations, and upcoming projects. Strummer discusses his experience scoring music for director Alex Cox's films, including Walker and Permanent Record, highlighting the latter's focus on teenage suicide and its emotional aftermath. He shares details about his new single "Trash City" with his band Latino Rockabilly War, featuring several notable L.A.-based musicians. Strummer reflects on his interactions with The Pogues, appreciating their energetic and physical style of music akin to punk, and mentions contributing backing vocals to their upcoming single. His interest in Latino music traces back to his childhood years in Mexico City and his exposure to Latin rhythms on tour with The Clash.

Strummer recounts a significant three-month stay in Nicaragua during the filming of Walker, which deeply influenced his perspective on consumerism and waste in Western society, contrasting it with the resourcefulness of Nicaraguans living with limited means. He also discusses his upcoming Rock Against the Rich tour in England, aimed at supporting causes linked to the miners' strike, emphasizing that it is a grassroots effort rather than a large-scale charity event. The tour has attracted some media criticism, which Strummer dismisses as hypocritical. The interview closes with mention of The Clash's single "Rock the Casbah," reinforcing Strummer's ongoing musical influence.

  • Joe Strummer has composed soundtracks for Alex Cox's films Walker, Sid and Nancy, and Straight to Hell.

  • Permanent Record is a film about teenage suicide with a thoughtfully crafted soundtrack that includes various artists and Strummer's original music.

  • Strummer's new single "Trash City" is performed with the Latino Rockabilly War, a group of primarily Los Angeles musicians.

  • He praises The Pogues for their energetic, punk-like approach to folk instruments and has collaborated with them on their latest recordings.

  • Strummer's appreciation for Latino music is rooted in early childhood experiences in Mexico and ongoing influences from bandmate Paul Simonon.

  • A stay in Nicaragua during the making of Walker deepened Strummer's political consciousness, exposing him to the contrast between Western wastefulness and Nicaraguan thrift.

  • The Rock Against the Rich tour supports social causes related to the British miners' strike and has faced media backlash, which Strummer addresses directly.

Kevin Seal: Well, this is Mr. Joe Strummer, and welcome very much to New York, sir.

Joe Strummer: All right.

Kevin Seal: Tell us about some of the work you've been doing for the movies.

Joe Strummer: Well, I did a soundtrack for Walker. Alex Cox directed that, and I've just done one for Permanent Record, directed by Marisa Silva. It's coming out on the 22nd of April, I think.

Kevin Seal: Just right around the corner.

Joe Strummer: Yeah.

Kevin Seal: How is it working for Alex Cox? Did you guys work together pretty closely?

Joe Strummer: Yeah, I mean, I've done Sid and Nancy with him, and Straight to Hell, and Walker. He's a kind of crazy director. I don't think he's run-of-the-mill, you know? He's an outsider.

Kevin Seal: Is he an okay Joe to work with, though?

Joe Strummer: Well, I've always enjoyed it. But, you know, I'm a friend of his.

Kevin Seal: So he's nice to you. I thought Straight to Hell was a very funny movie, by the way.

Joe Strummer: Yeah, it really got panned, but I think in a few years it'll seem okay.

Kevin Seal: Yeah, yeah. Tell us a little bit about this new one, Permanent Record.

Joe Strummer: Well, it's about teenagers committing suicide, or a teenager committing suicide. Really, the film centers on his friends after the fact and how they come to terms with it. Because he was a popular guy, you know, he wasn't a moody, you know...

Kevin Seal: I think it was some loner or someone.

Joe Strummer: Yeah, he was a popular guy, talented.

Kevin Seal: And you wrote the score?

Joe Strummer: Yeah, I did most of it. There are some records from Bodine, Stranglers, Godfathers. There's a song by J.D. Souda and Lou Reed.

Kevin Seal: And you've got a new single coming out. In fact, it will premiere in the show in just a couple of seconds, Trash City.

Joe Strummer: Trash City, yeah. And I recorded that with a group I call the Latino Rockabilly War. It has Poncho Sanchez and Raymond Bander in it, and Xander Schloss, Willie McNeil, and Jim Donica, and myself.

Kevin Seal: So, like, mostly L.A. people.

Joe Strummer: Yeah, and also Tupelo Joe Altruda from Tupelo Chainsakes.

Kevin Seal: And, well, here we go. Do you want to give them the name?

Joe Strummer: Yeah, this is Trash City by Joe Strummer and the Latino Rockabilly War.

SONG EDITED OUT

Kevin Seal: How was the Pogues with If I Should Fall From Grace With God and this is Joe Strummer and How was it playing with the Pogues?

Joe Strummer: Well to me, you know, it's so physical, that music. It's very similar to punk in a way that we really bash the instruments. And even though they're playing a mandolin or accordion, they bash that stuff just in the same style. And it goes fast. So I felt right at home straight away.

Kevin Seal: Have you done stuff with them since?

Joe Strummer: Yeah. I did some backing singing when they recorded Fiesta the other day in London for a single to come out pretty soon.

Kevin Seal: Oh, it's very good. You just said he was with the Latino Rockabilly War. When did you become interested in Latino music?

Joe Strummer: Well, I lived when I was a kid in Mexico City. I was about four or five, and I went to a Mexican primary school. And I suppose I must have heard it there, but since then, Paul Simonon was always playing Perez Prado on the tour bus. Constantly, and do the Paul Simenon's tapes so that I began to get into that that beat you know that sound but I don't know anything about it really except that you like it.

Kevin Seal: Yeah, we'll be talking more with Mr. Strummer later on in the show. We're gonna have videos from The Cure, The Stranglers and Zodiac Mind Warp and the Love Reaction coming up and all sorts of stuff after this.

SONG END OUT

Narration: You're watching 120 Minutes. I'm Kevin Seale and this is Joe Strummer sitting next to me here in this scrap bar in New York City.

Kevin Seale: When you were working on Walker, you went down to Nicaragua for months and months and such?

Joe Strummer: Yeah, about three months.

Kevin Seale: And how did that then affect your political convictions?

Joe Strummer: The main thing I know of this is how much stuff we waste here in the West. Because they don't have very much stuff down there, and they make use of everything. This table would be back in the lorry, driving the chain, you know? We're making use of it here. But when I got back to London, I saw all the stuff we're chucking in the streets, people throwing TVs and refrigerators out that maybe have just clapped out. I may repair everything and use it, and I began to feel we were really wasteful. That was the main thing that I got out of it.

Kevin Seale: Is it neat and thrifty there? I mean, the people are...

Joe Strummer: Yeah, out of necessity.

Kevin Seale: And how do the people feel? Is it like they feel like they're getting something done, that things are moving, or...?

Joe Strummer: You know, a lot of people complain about the war because it's been dragging on 10 years, but apart from that, it seemed like a happy country, as far as I knew. But we were in a city in the South, you know?

Kevin Seale: Tell us something about Rock Against the Rich.

Joe Strummer: It's a tour that I'm doing in England in July and August. I'm going to try and get the guys from the Latino Rockabilly War over there, but I can't seem to raise them on the phone at the moment, but I'm trying. And if I succeed, I'll take them over to England, and we're going to play. It's just a stream of concerts, and the money from each concert might go, say, to defend people who were caught stealing coal off a coal train, you know, during the miners' strike when there wasn't any money around. You know, more or less people who need the money are going to get it. It's not going to raise a lot of money because it's in, like, smallish halls and large clubs, you know. It's not really that big a deal.

Kevin Seale: Kind of a live-aid kind of...

Joe Strummer: No, not at all, but it's receiving some hysteria in the English newspapers, you know. They're starting to pillory me as a... as a hypocrite for doing the tour, you know?

Kevin Seale: Because they want you to, like, give the money to them?

Joe Strummer: No, no, they say, you know, hey, you're rich, why don't you shut your mouth, you know? And I'm going, you never mentioned me until I was doing this tour, and now you're getting on my case, you know?

Kevin Seale: Well, we've got something from the Clash coming up just now, as a matter of fact. Rock the Casbah.

Kevin Seale: Mr. Strummer, thank you very much for talking with us.

Joe Strummer: Okay, pleasure. It's a pleasure.

Kevin Seale: Rock the Casbah from the Clash.






The Scrap Bar


The Scrap Bar was opened by Steve Trimboli and ran from 1986 to 1995. According to Drew Grant, culture writer for the Observer, the Scrap Bar was "the place where punk went to die and hair metal held the wake."

The Scrap Bar was adorned from floor to ceiling with junk, auto parts, and any kind of trash you can think of. With an infamous reputation as an underground divThe Scrap Bar was opened by Steve Trimboli and ran from 1986 to 1995. According to Drew Grant, culture writer for the Observer, the Scrap Bar was "the place where punk went to die and hair metal held the wake."

The Scrap Bar was adorned from floor to ceiling with junk, auto parts, and any kind of trash you can think of. With an infamous reputation as an underground dive where anything could, and usually did, happen, it was the hangout for the metal and hair band A-list like Guns n' Roses and The New York Dolls who would play impromptu sets. MTV regularly threw parties and filmed at the Scrap Bar, and countless established and up-and-coming musicians saw it as THE place to be seen when in New York.

The press video pretty much sums it up.
If the link is broken, contact BMC

Articles:
1.
Bellying Up to the (New) Bar at '21' - The New York Times ---- Archive PDF
2.
The Broken Jukebox: Steve Trimboli, Godfather of the DIY Music Scene, Still Saving Goodbye Blue Monday | Observer ---- Archive PDF

Steve Trimboli with Joe Strummer; Below: At his former digs, The Scrap Bar.
All photos courtesy of Steve Trimboli)


Scrap Bar






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